Learn from a professional that has successfully produced 8 movies for under $1000 that were picked up by studios LionsGate, E One and Paramount. This brand new Udemy course shows you the secrets to write screenplays for feature films that can be produced for under $1000. Stop waiting for funding for your script and write one that you can film NOW! Join the other successful filmmakers that have adapted to the new changes in the movie industry. A class that is a must for ALL filmmakers that are low on cash! Tired of waiting for funding to produce your script? Then you need to take this class. You will know how to take full advantage of things in movies that are free This class is MOBILE ready for ON-THE-GO. Every minute you delay is costing your MOVIE’S FUTURE… Enroll now! Nothing is kept secret – I reveal everything I do to produce micro-budget movie that actually get distribution in the U.S. and overseas. As well as the Udemy 30 day money back simple guarantee, you have my personal promise that you will be delighted in what I will show you. You will kicking yourself that you haven’t started doing these things! You will have a lifetime access to the course and be updated on NEW lectures.

Learn How to Shoot Super 16mm Film by Putting the FILM back into FILMMAKING ! Are you look for knowledge of how to shoot with actual film? Then Real Film School Online: Learn to Shoot Real Super 16mm Film is for you! Do you want to learn how to wrk with celluloid? Do you want to see how an Arri SR Super 16mm film camera work? Do you want to learn how to prep a production that will be shooting Super 16mm film? Do you want to Enroll NOW and start learn what it's like to be a FILMmaker? Let's get started? They DON'T teach you this in Film School anymore! Why the hell have you created an online Super 16mm Film Course? Because believe it our not there are a ton of television productions, feature films and indie films that are shooting on Super 16mm film. The need for education in the craft of shoot celluloid is great. After getting many requests for this information instructors Alex Ferrari (Indie Film Hustle) and Egon Stephen Jr. (Cine Video Tech) decided to put together the DEFINITIVE Educational resource for anyone interested in shooting in Super 16mm film . Some of the productions that shooting film these days are: The Magnificent Seven Westworld The Girl on the Train The Walking Dead Jack Reacher Batman vs Superman Star Wars: The Force Awakens Spectre The Hateful Eight Jurassic World Wonder Woman American Horror Story ---------------------------------------------------------------------------------------------- And many more. Film is not dead, not by a long shot. In this masterclass you will learn: • The History of Film • 16mm vs Super 16mm • History of 16mm Cameras: Old School • History of Super 16mm Cameras: Arri SR Series • Super 16mm Lenses: Choosing the Right One • Camera Accessories: Pimping Out Your Camera Package • Understanding Filmstocks • Battle Planning: Shooting Film in the Real World • How to Load a Film Magazine (Arri SR Series) • Prepping Your Film for the Lab You also have access to download a collection of camera forms, contracts, rental guides and more. If you are interested in shooting film this is course will set you on the way. Whether you are a film student, producer, director or cinematographer you will have a strong grasp of what is needed to shoot Super 16mm Film in today's world. Let's put the FILM back into FILMMAKING! ---------------------------------------------------------------------------------------------- Important information before you enroll: In case you find the course useless, don't forget you are covered by a 30 day money back guarantee, full refund, no questions asked! Once enrolled, you have unlimited, lifetime access to the course! You will have instant and free access to any updates I'll add to the course. I will give you my full support regarding any issues or suggestions related to the course. Enroll NOW and turn your FILMmaking dream into a reality! Let's get started! ---------------------------------------------------------------------------------------------- About your instructors: Egon Stephan Jr. “Like father, like son” they always say, yet nowhere has this cliché been more true than when you apply it to the love of filmmaking shared between Egon and his father. Egon began his professional career at an early age, eventually running the camera rental department for his father at the ripe young age of sixteen! After a six-year stint as the camera rental manager of CineVideoTech, he pursued his love for film in the field, running up an impressive list of credits. He worked his way up from technician to second assistant, second to first, first to operator, operator to second unit Director of Photography, second unit DP to Director of Photography on his first feature film, “Jungle Juice”, starring Christopher Walken, Morgan Fairchild, Robert Wagner and Rutger Hauer. Shortly after this achievement, Egon’s father fell ill and his duty to continue the legacy his father had begun took precedence over his own successful career. He took over the helm at CineVideoTech in 2002 and has since been busy recreating the company that has launched so many successful careers into a vision of what is to come. ---------------------------------------------------------------------------------------------- Alex Ferrari Alex began his career as an editor and quickly moved up the ranks as a colorist, post production and visual effects supervisor. Coming from a visual effects/post production background, this versatile director combines his passion for storytelling and visual effects experience with a unique visual style. Alex exploded onto the indie film scene with his award winning short film BROKEN . The film went on to screen at over 200 international festivals and has been reviewed by over 250 news outlets world-wide including famed film critic Roger Ebert. "Broken is essentially a demonstration of the mastery of horror imagery and techniques." - Roger Ebert. Through self-distribution, the BROKEN Special Edition DVD has also sold over 5000 units world-wide. Produced on a budget of $8000 and boasting over 100 vfx shots, BROKEN is one of the most celebrated shorts in recent years. Alex Ferrari's work runs from stunning live action to animation, from visually griping and stylish worlds to comic gems that will have you rolling on the floor. His body of work, highlighted by commercials spots for Comedy Central , a music video for the Three-Time Grammy Award Winning group Ozomatli (guest-starring Comedian Gabriel Iglesias ), and the stylish Lipstick and Bullets, a compilation of your of his short film. Being frustrated in seeing how his fellow filmmakers were being "chewed up" by the film business, Alex decided to start Indie Film Hustle, a website dedicated to educating filmmakers and artists on to survive and thrive in the film business. He also launched a podcast focusing on filmmaking called The Indie Film Hustle Podcast. Within three months of its start date the show became the #1 filmmaking podcast on iTunes.

Join over 30,000 Students who are learning from our courses. "By far, the best director and cinematography course on the Internet." - Nate Carroll Want to learn how great directors create award-winning films? Want to learn how to become a working Hollywood director in Television or Film? In this online course you'll learn When to Move the Camera in your next film and video production. The key here is that camera movement must be invisible. It should serve the story without calling attention to itself. Next, learn How To Move the Camera most effectively by systematically fulfilling Five Tasks when designing each moving master shot. Finally, learn how a master of visual design like Zemeckis customizes his application of these Five Tasks to the unique demands of each scene. They DON'T teach you this in Film School! THIS COURSE IS AMAZING!!! I'm learning SO FREAKIN MUCH from it, and it's totally blowing my mind. Thanks so much to Gil and Alex for putting this course together. I'm a director working on my first horror film, which has a bit of action in it, and this course is totally giving me rocket boots. If you have more courses from Gil, please let me know and TAKE MY MONEY! - Colby R Rice Excellent content. But you'd better pay attention or you will miss something. This course is packed with loads or useful and well explained stuff. - Mr Mick Farmer Instructor is clearly in command of craft and engages with questions, simple explanations and familiar examples. Video and audio are excellent. - Bill Halford Veteran film and television director Gil Bettman will teach you how to enhance drama and heighten action by using different lenses. This is the key to Lensmanship – the technique which Spielberg borrowed from Wells, Kubrick and others to transform the look of today's films. Once you have grasped Lensmanship you are ready for the final lesson -- How to Shoot Action Sequences . Gil will show you how Kathryn Bigelow, John Woo and others ignite the screen by putting the camera in the right place and using the right lenses. Here's what will be covered in the course. Why you must shoot with a moving camera When to move the camera Why all camera movement should be invisible The three kinds of camera movement that are always invisible How to move the camera – shoot the best moving master shot The five tasks of a moving master: Establishes geography and believability Eliminates edits Generates eye candy Focuses the audience on the center of the drama Picks up coverage How to customize the five tasks to each scene Examples: dailies from: Movies for TV Low budget features Big budget features directed by Bob Zemeckis Lensmanship How the look of 3 different lenses is the key to understanding all lenses The three ways that lenses change the look of a shot Perspective Field of Vision Depth of Field Shooting Action The 3 key components to shooting action Put the camera in the right place Breaking down your shots Put the right lens on the camera How lenses affect motion in the frame Get the right number of pieces How coverage heightens energy How to shoot a chase How to shoot a fight Very helpful. Adds depth to your understanding and intuitive insights which you surely had if you happened to play with video shooting and editing without doing any learning beforehand. It's enriching. The movie samples are great as the clarify the points. Love it! - Yosi Tsitsu So what are you waiting for. Jump start your filmmaking career as a film director.

Join over 30,000 students learning from our courses! Are you a filmmaker who is clueless when it comes to lenses? Do you want to speak to your cinematographer in his/her language? Do you want to know how to choose the right lenses for your shots? Do you want to make your films stand out from the crowd? Then this one of a kind course is for you. --------------------------------------------------------------------------------------------------------------------------------- Welcome to the Cinematography Database: Cinema Camera Lenses Masterclass. After getting many requests for this information instructors Alex Ferrari (Indie Film Hustle) and Egon Stephen Jr. (Cine Video Tech) decided to put together the DEFINITIVE Educational resource for anyone interested in CINEMA LENSES. They DON'T teach you this in Film School! This course includes: 2.5 hours of talk-to-camera discussions about the entire filmmaking process - from concept to planning to filming to post to distribution - divided into 21 lessons plus a few bonuses. An exclusive look at rare lenses and camera rigs Hands-on explanation of difficult concepts but told in an easy to understand manner Go inside the CVT lenses workshop Mobile access --------------------------------------------------------------------------------------------------------------------------------- Important information before you enroll: In case you find the course useless, don't forget you are covered by a 30-day money back guarantee, full refund, no questions asked! Once enrolled, you have unlimited, lifetime access to the course! I will give you my full support regarding any issues or suggestions related to the course. Enroll NOW and let's get started! --------------------------------------------------------------------------------------------------------------------------------- What people are saying about our courses: "By far, the best director and cinematography course on the Internet." - Nate Carroll "I really enjoyed taking this class. It wasn't just that the subject was interesting to me, but the teacher also made the class intriguing. I would gladly recommend this class to anyone who would be interested." - Leah Ames Very helpful. Adds depth to your understanding and intuitive insights which you surely had if you happened to play with video shooting and editing without doing any learning beforehand. It's enriching. The movie samples are great as the clarify the points. Love it! - Yosi Tsitsu --------------------------------------------------------------------------------------------------------------------------------- So what are you waiting for? Whether you are fresh out of film school, a cinematographer who wants to get a better understanding of cinema lenses or a director who wants to know how to pick the right lens for the shot this course is for you. Join over 20,000 students that have already taken Indie Film Hustle filmmaking and screenwriting courses. Enroll NOW and learn all about cinema lenses and make your films stand out from the crowd! Let's get started! --------------------------------------------------------------------------------------------------------------------------------- About your instructors: Egon Stephan Jr. “Like father, like son” they always say, yet nowhere has this cliché been truer than when you apply it to the love of filmmaking shared between Egon and his father. Egon began his professional career at an early age, eventually running the camera rental department for his father at the ripe young age of sixteen! After a six-year stint as the camera rental manager of CineVideoTech, he pursued his love for film in the field, running up an impressive list of credits. He worked his way up from technician to second assistant, second to first, first to operator, operator to second unit Director of Photography, second unit DP to Director of Photography on his first feature film, “Jungle Juice”, starring Christopher Walken, Morgan Fairchild, Robert Wagner and Rutger Hauer. Shortly after this achievement, Egon’s father fell ill and his duty to continue the legacy his father had begun took precedence over his own successful career. He took over the helm at CineVideoTech in 2002 and has since been busy recreating the company that has launched so many successful careers into a vision of what is to come. ---------------------------------------------------------------------------------------------- Alex Ferrari Alex began his career as an editor and quickly moved up the ranks as a colorist, post-production, and visual effects supervisor. Coming from a visual effects/post-production background, this versatile director combines his passion for storytelling and visual effects experience with a unique visual style. Alex exploded onto the indie film scene with his award-winning short film BROKEN . The film went on to screen at over 200 international festivals and has been reviewed by over 250 news outlets worldwide including famed film critic Roger Ebert. "Broken is essentially a demonstration of the mastery of horror imagery and techniques." - Roger Ebert. Through self-distribution, the BROKEN Special Edition DVD has also sold over 5000 units worldwide. Produced on a budget of $8000 and boasting over 100 vfx shots, BROKEN is one of the most celebrated shorts in recent years. Alex Ferrari's work runs from stunning live action to animation, from visually gripping and stylish worlds to comic gems that will have you rolling on the floor. His body of work, highlighted by commercials spots for Comedy Central , a music video for the Three-Time Grammy Award Winning group Ozomatli (guest-starring Comedian Gabriel Iglesias ), and the stylish Lipstick and Bullets, a compilation of your of his short film. Being frustrated in seeing how his fellow filmmakers were being "chewed up" by the film business, Alex decided to start Indie Film Hustle, a website dedicated to educating filmmakers and artists on to survive and thrive in the film business. He also launched a podcast focusing on filmmaking called The Indie Film Hustle Podcast. Within three months of its start date, the show became the #1 filmmaking podcast on iTunes.

Join over 33,000 students learning from our courses! You can spend tens of thousands of dollars on film school, you can work as a production assistant for a decade and hope to move up the ladder – or you can GET OUT THERE AND MAKE YOUR OWN MOVIE ! FILM SCHOOL IN A BOX shows you – in every possible detail – how one team of Hollywood professionals made, and commercially released , a movie on a micro-budget of $100,000. YOU CAN TOO! FILMMAKING IN A BOX has over 20+ Hours of real world lessons they DON'T teach you this in Film School! This course is unlike anything you’ve ever seen. Seriously. If you’re a lover of movies who dreams of getting behind the camera, you know you own dozens of DVDs with behind-the-scens material that you’ve watched 100 times. Right? But, seriously… When are you going to get the chance to be standing in a field surrounded by 10,000 extras all in custom-made armor filming with 20 cameras? Chances are your first film (or even your second or third) are going to be significantly smaller in scale than that… FILMMAKING IN A BOX is the ultimate behind-the-scenes look at the making of a micro-budget (meaning REALISTIC BUDGET!) feature film. This is a look into how a professional near-no-budget film is made – with EVERY DETAIL available at your fingertips! -------------------------------------------------------------------------------------------------------- "It shares the kind of lessons that can usually only be learned by doing. Not a lecture, not a seminar, just the honest, accurate, moment-to-moment account of everything it takes to put a film together." Earl Newton, Executive Producer/Creator Stranger Things -------------------------------------------------------------------------------------------------------- How Can FILMMAKING IN A BOX Help You? FIB examines the EVERY detail of the making of an independent movie called 2 Million Stupid Women (a comedy written by a woman!), which was made for only $100,000, made within the “Hollywood” system. FILMMAKING IN A BOX has ton of INCREDIBLY detailed behind-the-scenes interviews and footage covering every stage of the prep, production and post-production . You’ll get interviews and conversations with all key members of the production team: the director, the producers, the writer, the cinematographers, the editor, the production sound mixer, the post production sound designer, the assistant director and more! These are not marketing fluff interviews – these are uncensored, honest and straight-to-the-point discussions about every pitfall, conflict and negotiation required to complete the project. In addition – you also get hundreds of pages of the actual documents used to make the film: the full budget (yes! the REAL full budget, line by line see how the money was spent), the schedule, call sheets, every contract, director’s notes and MORE. FILM SCHOOL IN A BOX will take you, step-by-step, through the exact process this team took to mount an independent feature film from the ground up. FILM FILM SCHOOL IN A BOX shines a light on every potential misstep and lucky break that can fall into a first-time (or second or third!) filmmaker’s lap. -------------------------------------------------------------------------------------------------------- "I wish something like this existed when I was starting out... No bulls**t; the next best thing to actually being there with the filmmakers while they were making it!" Mark Bell, Owner/Publisher/Editor-in-Chief, FilmThreat -------------------------------------------------------------------------------------------------------- To get a real idea of what’s inside, you need to see the FULL TABLE OF CONTENTS (link below!), but – just as a sample FIB includes: The complete filmmaking experience all in one package. Over 17 hours divided into 108 individual video modules covering: • Development • Funding • Contracts • Casting • Rehearsals • Locations • Lighting • Sound • Cameras • Production Diary • Editing • Score • Music • Post Production Sound We also include all the production documents we used: • Full Budget • Schedule • Screenplay • Call Sheets • Casting Notes • Contracts FILMMAKING IN A BOX also includes such unique features as: • Audition footage • Rehearsals with the actors • The complete, pre-mixed, rough-cut of 2 Million Stupid Women • The entire table read with the cast and filmmakers of 2 Million Stupid Women • Comprehensive explanations on lighting and recording sound for every day of production • Behind the scenes footage shot during principle photography • Examples of the contracts, permits, call sheets, sound reports, and dozens of other pertinent documents used during production • Over 100 individual video modules detailing every single element of pre-production, production and post-production • The final release version of 2 Million Stupid Women • And even more… FIB is a must-own for anyone thinking of making their first, second or even third feature film It is beyond anything you can learn from film school or filmmaking tips in a book. This is as close to the experience of actually making a movie as you can get – without actually doing it. Through candid, first-hand anecdotes, hard-earned by actual independent filmmakers, FILMMAKING IN A BOX will help prepare you for what to expect before you ever step foot on set. Whether you’re prepping your first film, or you’re simply curious what goes into making an independent film, FILMMAKING IN A BOX is an essential tool of every aspiring filmmaker or video creator. If you've got the dream. If you've got the drive. If you've got the passion - but you're missing the knowledge and experience...Filmmaking in a Box will help you make your film into a reality. Enroll NOW and learn how to make a low budget feature film! Let's get started!

'Film financing: ways to raise funding for your films' offer a list of alternative film fund-raising solutions. I'm a film director, writer and sometimes, a PRODUCER. I joined the film industry in 2012. I have experience in raising funds not just for my own films, but for other films too. I want to share with you some of the ideas I have, some of the methods I use and some of the proven ways other filmmakers, film production companies and film studios have used to raise cash to shoot their movies. This is not a finance-heavy course. It is designed to give you a brief overview and provides you with rich resources in your search for those gold nuggets! Do you need money to shoot a film? Use this course to help you find alternative solutions no matter what your budget size is. What you will learn: - How much it might cost to shoot a film - How to access 'free money' through grants or crowdfunding - Accessing 'soft money' through rebates and tax incentives - Creating co-productions with different nations and pre-sales - Private Equity, funds, hedge funds and slate funding You can do this! It takes time to fund films, it takes patience and most of all, it takes perseverance. Hopefully, this course is another step in your understanding, and in the right direction - the cash direction. #howtoraisemoneyforfilms #filmfinancing #filmproducers #filminvestors #moneyincinema #filmstudiofunds #privateequity #crowdfunding #filmgrants #taxrebates #locationshooting

Do you have a short film? Would you like it to be screened internationally and meet other filmmakers from around the globe? In this practical course , you will discover a step by step guide on how to submit your film to film festivals and give it the best chances to be officially selected. You will also learn how to create a film festival strategy , that will help you distribute your film and get maximum exposure. In addition to the festival strategy, you will learn what are the necessary materials every film festival requires and how to prepare them yourself. This includes such practical lessons as creating subtitles , DCP (digital cinema package) for cinema theatres. Here are some more questions you will get answers to: What are the differences between Class A, B or C festivals? Premiere status of a short film, how not to get banned? Online submission platforms and film festival databases? How much should I spend on submissions? What are the common mistakes filmmakers make when submitting their films? The do's and don'ts for submitting your film to festivals. By the end of the course, you'll be ready to launch a film festival tour for your short film , whether it is a documentary, fiction, experimental or animation.

I've spent the last 10+ years making videos for brands & artists and there has clearly been a major shift in content being consumed. Everyone used to throw around words like "Professional" and "Commercial". Now it's all about "Viral" "Memes" "Trendy". After seeing the significance of online video, I started a youtube channel and my life was changed in a matter of months. We no longer need big expensive productions to make good videos. What's important is what you put in front of that camera, how you tell your story, understanding what makes stimulating content, and presenting it in a way that'll leave your viewers begging for more.

Welcome to “Video Editing Workflow for Filmmakers”, the only course designed for filmmakers editing their own film. In this exciting course, you will be learning the workflow for how to set up your editing projects, all the things that you will do in a day from importing raw footage all the way to exporting a film for final delivery. By the time you have finished this course you will be light years ahead of other editors who know how to use editing software but feel overwhelmed and anxious while editing because they haven’t yet developed an efficient workflow for the post-production phase of their film. You will learn how to start with an empty timeline and finish with a completed film that you are proud of. Over the years, the role of an editor has evolved . There once was a time when an editor only cut the picture and someone else dealt with the sound. But nowadays, that isn’t the case. An editor has become a one-person band. It is a new reality that has come about partly by the democratization of equipment, faster computers, laptops, smaller cameras, and other technological innovations that allow one person to do a lot more than they could do years ago. This course addresses this new reality. "Video Editing Workflow for Filmmakers" will show you how to organize your footage, do an assembly edit, an offline edit, sound design, and export your film for television, web, or even theatrical release.You will be seeing all these things in real time from start to finish. To get the most out of this course, we invite you to write down the steps that I have outlined in a checklist form. During each stage of post-production, you can refer to these checklists to remember what to do next. This will make things a whole lot easier and prevent you from feeling overwhelmed. One final note: this course is for filmmakers who already feel comfortable working with their editing software of choice. It doesn’t matter if you prefer Final Cut Pro, Avid, or Adobe Premiere. This course runs on the principle that all these pieces of software are tools. Whichever software you prefer, feel free to use it. I designed the ideas presented in this course to work for all them. So thank you for watching “Video Editing Workflow for Filmmakers” and we hope you enjoy the course.

This course teaches the essential video and filmmaking skills you need to know in order to shoot great videos and films. All the lectures are based on direct personal professional experience gained over 20 years as a director and self-shooter. The course is presented as a step-by-step Program that is very action-orientated, with a exercise accompanying every lecture and core topic to complete before moving on to the next one. In this way, you will absorb the teaching and hugely improve your films and videos. The course takes you into some territory normally associated with higher end cinematography. The main focus, though, is to instil confidence and skills into anyone owning and wishing to use a video-capable camera of any kind - camcorder, smartphone, DSLR or professional video camera. A key advantage of being in this course is the opportunity to ask Paul Jenkins questions regarding film and video making directly. Also, to put up in the course Discussions examples drawn from your work in the course Exercises in order to have it positively critiqued inside the course community and by Paul himself. By taking this course, you will emerge as a confident and skilled film and video maker. You'll know which shots to take, how to take them, how to control the filming situation to your advantage and...most importantly...have a smile on your face when you, your family and friends, and perhaps clients watch the results of your work